Sungwon
Kim
Mr.
Garrioch
World
Literature
March 17,
2015
“The Araby”
The story is often read as a narrative recounting the
experience of a young boy affronting an unexpected frustration and
disappointment in his disenchantment of exotic “Araby” and love. Driven by his
feeling of love toward the Mangan’s sister, the narrator goes on his journey to
the “The Araby” with fascination for the place. Different from what he had
anticipated of his journey—mundane life of Dubliners to the exposal of new and
enchanting orient—the boy disappoints at finding the place rather dull and
disparaging with most of the stalls closed in darkness. There, the narrator
observes the flirtatious young lady and two gentlemen who break his naïve
preconception of love as a pristine emotion, and eventually feels intense anguish
and anger. However, such interpretation lacks consideration of some other
crucial qualities depicted by the narrator in terms of his development
throughout the story. The juxtaposition of the frequent call to sensual desires
and the journey to “the Araby” hints at the narrator’s duplicitous nature. Along
with the reference to Christianity, therefore, it is more legitimate to assume
that the narrator feels rage toward himself for his negation of the true mind
that yearns for sensual pleasure. The “confused adoration” turns out to be the
boy’s sensual desire seeking for “the curved neck, the hand upon the railings
and the border below the dress” through the revelation that takes place in
darkness.
“Eveline”
At first glance, James Joyce’s “Eveline” might appear to be a
tragic story of a young woman who inevitably forsakes her opportunity to embark
on a new life through her love due to her domestic responsibility. After all, when
Eveline, despite the constant threat of her father’s violence and economic
difficulties menacing in her daily life, refuses to leave with Frank at the
harbor, we might assume that she eventually makes her decision on behalf of her
family. However, on the other hand, such interpretation fails to meet the underlying
essence of the story, as hinted in her reaction to Frank’s departure in the
end. Therefore, it is perhaps more accurate to assume that “Eveline” is rather
a portrait of the typical women in the Dubliner society, characterized by
unsettled and mercurial mentality. In this sense, Eveline is not simply a
character that fulfills her responsibility through her sacrifice of “individual”,
but rather a vivid representation of woman detached from love. “Her eyes [with]
no sign of love or farewell or recognition” were the kinds that could easily be
seen in the eyes of women in Dubliners society.